Antique Brass Hair Untangler

Antique Brass hair untangler
Antique Brass hair untangler

This is picture of an antique brass hair untangler or a comb. I am very careful the usage of the word comb as the artifact does not identify with the characteristics of a comb. It is long and forked. The design is similar to that of two pronged fork. It is made of brass so the forked ends remain sturdy.

Long and forked design of the untangler
Long and forked design of the untangler


Two pronged edges and handle
Two pronged edges and handle


As the name suggests the Antique Hair untangler or detangler was used to remove knots from hair. The sharp and narrow design of the untangler helps it to easily penetrate the tangled hair and easily remove the knots. South Indian women usually kept hair long. Most of the goddesses like Lakshmi and Saraswathi are shown in pictures as having a long and lustrous hair topped by golden kireetam (crown).It is evident from the ancient scriptures till present day cultures in India, women liked their hair long beyond their waist length.

This beautifully crafted hair detangler is crafted with a long handle to facilitate a good grip so that it is not slipped from the hand when negotiating with a tough tangle of hair.The handle has a corrugated design with parallel ridges and furrows. This corrugation gives the required grip to the handle.For further grip there are grooves in between the ridges that also give excellent design aspect and aesthetic appeal to the handle. Detangler has two fork like teeth that are actually used to detangle the kinky hair.The knotted hair is kept on the palm and the sharp edges of the fork teeth are run dexterously into the knots and worked out to remove the knots. Initially the hair is separated with the four fingers using them like the four teeth of a comb. By running through the fingers, one will get the feel of the hair and the extent of tangling.Then the hair is combed with a wide-toothed comb and in the process if a snag is hit, the detangler is used to loosen the tangled strands of hair.


Parallel ridges on the handle bar
Parallel ridges on the handle bar


Image showing ridges and grooves for better grip
Image showing ridges and grooves for better grip


 Combing the hair after it has dried was not a viable option as the hair dries up in knots and becomes prone to breakage and damage. This untagler easily penetrates through any type of hair and makes it convenient to get rid of the knots and the long narrow design further aids the process.

The Antique brass hair untangler also consists of a rectangular hole on its handle. This hole was made so that the Antique Brass hair untangler can be hanged to a nail by a piece of thread close to the mirror.

Rectangular hole on four sides used for hanging the untangler
Rectangular hole on four sides used for hanging the untangler


This beautiful antique brass hair detangler is acquired from an antique dealer in Cochin, Kerala. Most of the ladies in Kerala fancy long hair as a tradition. Since long hair is prone to get tangled if proper care is not taken, Kerala women use the detanglers to keep their hair tangle free. Their hair is long, thick and shining with coconut oil which they apply profusely to their hair. There are various reasons for their long beautiful hair. Because of heavy rains in Kerala and the surrounding back waters, the weather is humid most of the time and this condition helps in moisturizing the hair. Kerala women rarely trim their hair hence allowing the hair to grow to its fullest length. They very rarely use chemical shampoos and rely mostly on traditional herbal ayurvedic lotions and powders. They always leave minimum amount of coconut oil on the head due to which their scalp is never in dry condition. The oil and moister keep the hair follicles and hair shaft healthy resulting in lustrous long and crinkle free hair.


A beautiful lady demonstrating the use of untangler
A beautiful lady demonstrating the use of untangler



A beautiful lady running the untagler through her hair
A beautiful lady running the untangler through her hair


Traditionally Kerala women take head bath every day after applying liberal dose of coconut oil in their hair. After the bath they do not dry their hair by rubbing against a towel or by hair dryer. Instead they wrap a thin cotton cloth around the wet hair like a turban which absorbs the excess moisture and retains required moisture for the hair. After that they keep the semi- wet hair loose and long by tying the hair loosely with few strands of hair picked from the sides of the head near the two ears. It is the dry hair that tends to tangle and moist hair is less prone to tangling. Most of the Kerala houses have their own tanks for their daily bath or at least a well. They go to work in the same semi- wet hair decorated with a string of jasmine flowers. These types of detanglers are not found in other parts of India and this is peculiar to Kerala and South Karnataka only.

May be it is the need that makes the artisans design and fabricate utility items such as these unique detanglers that help the ladies from this part of South India keep their beautiful hair tangle free.



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Antique Brass Pedestal Bowl


This is a beautiful brass bowl with a pedestal. Anything sacred is always kept on a pedestal. The statues of Gods, Goddesses, the sacred Kalasam are mounted on a pedestal because they are of ritualistic importance and should not be placed on the ground according to Hindu tradition. The Radukalu (divine sandals representing the feet of gods and goddesses) are always mounted on hollow Indian crown shaped pedestal called Satagopam also called Satagopuram .Likewise, sacred items that are to be offered to gods like flowers, fruits, chandanam (sandalwood paste) and other offering will also be kept in a bowl with a pedestal or a stand. I have collected this exquisitely crafted pedestal bowl that is used in temples for keeping flower and fruit offerings to the god. I have also seen such pedestal bowls are also used to keep Sankham (conch) that is used for doing Abhishekam (ritual water bath) to the deity.


Antique Brass Pedestal Bowl – front view


Antique Brass Pedestal Bowl – an angle view


Antique Brass Pedestal Bowl-top view


Shape of Pedestal with round base, ring like grip holder and long cup


The Design of the Brass Pedestal Bowl:


This bowl sits on a five inch tall pedestal .The pedestal is in three sections. The base section is round with a diameter of 2.7 inches. The middle section of the pedestal is a ring like projection that serves as a grip holder. The top section has a long cup like design on which the bowl sits. The diameter of the bowl is eight inches. The bottom of the bowl is flat like a plate and the walls of the bowl rise from the plate with two steps. The entire bowl is intricately and wonderfully hand carved with immense aesthetic appeal giving a visual treat. There are 40 conical shaped projections all around the rim of the bowl which gives wavy design to the rim of the bowl. The bowl with the pedestal is made with high quality of brass and when it is polished it shines.


Antique Brass Pedestal Bowl – bottom view


Antique Brass Pedestal Bowl-upside down view


Antique Brass Pedestal Bowl- appreciate the intricate design inside the bowl


How I got this enchanting antique piece

I have acquired this superb bowl from an antique dealer in Chennai near Kapaleswara temple in Mylapore area in the year 1970. So it is with me since 43 years. I do not know since how long this piece was with the antique dealer and how long it was in use with the temple. There were thick patina marks on the bowl with pedestal and I have cleaned the major part. Still there are beautiful patina marks underneath the bowl which could not be cleaned. These patina marks are one indication of the antiquity of the bowl which is estimated around 100 years old.

Notice the nice patina marks under the bowl and inscription in Tamil



Admire the 40 conical shape projections all around the rim of the bowl



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Brass Temple Umbrella Kalasam

Kalasam is the most sacred symbol of Hindu religion. All Hindu religious rituals start first with kalasa pooja. It is considered as Sarva Devata Roopam (image of all Gods), Sarva Veda Roopam (image of all vedas ) and Sarva Divya Nadee Roopam (image of all sacred rivers). Because of its sacred nature, kalasam is invariably found on the top of temples, temple towers, temple chariots, and on temple umbrellas. The kalasams are made with brass and some of them are coated with gold. I have collected a magnificent temple umbrella kalasam and I am happy to introduce this sacred artifact to you.

Temple umbrella brass kalasam – Front view

The significance of Kalasam in Hindu religious rituals:

Firstly, we will talk about how to make a kalasam. Take a copper or silver pot of medium size and fill water till half. Decorate the pot with sandalwood paste, haldi (turmeric) and kumkum and place few mango leaves around the mouth of the pot in such a way that the stem portion of the leaves are in the pot and the other half is above the rim of the pot. Now take a coconut with the fibre handle and decorate the same with sandalwood paste, haldi and kumkum. Place the coconut in inverted position on the opening of the pot with the fibre handle facing upwards. Now the kalasam is ready.  The kalasam has to be sanctified by inviting the Gods, Goddesses, Vedas, and the holy waters from the oceans and Bhoodevi by chanting the following mantra. While reciting the mantra, keep the right hand on the top of the kalasam.

”Kalasasya Mukhey Vishnu, Kantey Rudra Samaasritaah,

Mooleytatra Sthitho Brahma, Madhyou Maatru Ganaasshritaa.

Kukshoutu Saagaraa Sarrvey, Sapta Dweepaa Vasundharaa,

Rugvedodha Yajurve Ydassaamaved Ohyadharvanah.”

By reciting this mantra we do ‘Aavahanam,‘ that is inviting the following Gods and the holy creations of God to come and occupy their positions in the pot to make it sacred.

We invite Lord Vishnu to the mukha or opening of the pot, Rudra to the neck, Brahma to the base, all matruganas (Goddesses) to the center, all oceans, seven dweepas (continents) and the entire earth, and all four Vedas to the belly of the kalasam.

Now we do Aavahanam, that is invite all sacred rivers to the kalasam by reciting the following mantra.

”Gangeycha Yamunneychaiva Godaavari Saraswati,

Narmadaa Sindhu Kaaveyri Jaley Asmin Sannidhim Kuru”

Now all the sacred rivers, Ganga, Yamuna, Godavari, Saraswati, Narmada, Sindhu and Kavery have been invited and settled in the kalasam.

Now the kalasam is the personification of sarva devatas (all Gods), sarva divyanadee (all sacred rivers) and Sarva vedam (all vedas). It now becomes sacred. Symbolic to this, kalasams are made with brass and are placed on the top of the temple umbrellas. One such brass umbrella kalasam is in my collection.

inverted coconut
Inverted coconut placed on the mango leaves of the kalasam pot.

 Temple Umbrella Kalasam Design

The kalasam has a beautiful shape and is hand made with brass sheet. It is designed basically in two parts. The bottom part is a round stepped pedestal that sits on the umbrella. The second part is the actual kalasam that has a pot decorated with eleven mango leaves around it. An inverted coconut sits at the opening of the pot with the conical fibre part on the top. Since the kalasam is sacred, it is kept on a pedestal. The entire kalasam is hollow so that the top end of the wooden pole of the umbrella can be inserted into it. There are two holes in the middle of the kalasam. These holes are meant to drive the screws to hold the kalasam securely to the umbrella pole. The kalasam on the top of the umbrella serves two purposes, first it covers the naked wooden pole that protrudes out of the upper part of the umbrella, and secondly, the holy kalasam brings divinity to the ordinary umbrella.

Schematic picture of the temple umbrella showing the pole,umbrella cloth cover with frills, and kalasam on the top of the umbrella.
Hole for screw
Picture showing the hole on the kalasam for fixing the screw to the umbrella pole


depicting inverted coconut
Kalasam without base depicting only the pot, mango leaves and inverted coconut


Full bottom view
Pedestal bottom view with hole for the post. The white light spot is the hole for fixing the screw


bottom view
Temple umbrella brass kalasam – Bottom view


Hole for screw
Picture showing the hole on the kalasam for fixing the screw to the umbrella pole

Measurements of the brass temple umbrella kalasam

The height of the kalasam from bottom to the top is 15 inches. The diameter of the base pedestal is 8.5 inches. The round top of the pedestal is 5 inches diameter. The protruding mango leaves are one inch long each.

kalasam top view
Temple umbrella brass kalasam – Showing protruding mango leaves

 Temple procession

It is a part of the ritual poojas to the Gods to take them out on a procession, seated on various vahanas (mounts) around the temple streets with royal regalia. The procession consists of the God/Goddess seated on the vahana which can be a palanquin, chariot or animal or bird vahanas carried by men. The Gods on the vahana are invariably covered by decorated large umbrellas held by archakas (priests). These umbrellas are mounted with a kalasam made out of brass on the top of the umbrellas.  There will be a leading procession in front of the God consisting of nadaswaram, drums, tableaus, traditional dances like kolatam, bhajans, garaga dances, puliveshalu, yakshagana characters. These colorful art forms and performances add life to the procession and make the procession vibrant. Thousands of devotees participate in the procession. Though there will be colourful electric lights, there must be the traditional oil kagada (torch) in the lead. The devotees participate with pomp, gaiety and spiritual fervour.

Temple umbrellas in a procession

 The Tradition of  Annual Tirupati Umbrella Procession in Chennai

An organisation called Tirupati Umbrella Charities and Hindu Dharmartha Samiti donates special umbrellas to Lord Venkateswara at Tirupati every year. Ten decorated umbrellas, two big and eight small, are taken on a procession in Chennai for two weeks and finally reach Tirupati on the day of Garuduseva during Brahmostavam of Lord Venkateswara. The umbrellas are used for the procession on Garudostavam (fifth day of Brahmostavam). The umbrella procession starts from Suncoovari house in George Town in Chennai and this house belongs to one of the founder members of the endowment. The distance from Chennai to Tirupati is 176 kilometres and this distance is covered by the procession in 14 days, stopping en-route at many places for devotees to offer worship to the umbrellas considered as Lord Venkateswara personified. The procession consists of 150 people. The procession stops at Tiruchanoor and two umbrellas are offered to Padmavathi Ammavaaru, the consort of Venkateswara Swamy. On reaching Tirupati, the umbrellas are received by the Devasthanam with due honour and they are paraded on the Garudaseva day.

Decorated umbrella
Decorated umbrella inside view in a temple procession

These umbrellas are specially made by the traditional experts. The handle is made with teak wood and the collapsible frame work of umbrella is made of cane. The covering cloth is made of pure silk. The wood work and the silk lace work are done in Chennai and the cane/bamboo work is done in Kanchipuram and the final assembly is done in Chennai. The umbrellas are massive and fine pieces of art work. All these umbrellas are fitted with brass kalasams.

Goldem chariot
Kalasam on the top of a golden temple chariot

 I purchased this beautiful item from an antique dealer in Chennai in the year 1968. Whenever I see this kalasam in my collection, images of great processions of temples with colourful umbrellas decked with kalasam on top pass through my mind. I drift to a spiritual state of mind where I see everything blissful, beautiful and celebration. I hope and wish you too experience the same feeling.